出租(🤯)车司机栗花的丈(zhà(🔑)ng )夫因车祸(huò )去世(🍁)。栗花与儿(🎆)子张明(🐇)明(míng )的关(🕘)系(xì )紧(jǐn )张，为(wéi )得(🏤)到儿子的(⏩)承认，她(🚖)决定(dìng )做(🎪)儿子(zǐ )崇(chóng )拜的(🔞)英(🎃)(yīng )雄。她化身出租(🥂)女侠惩恶(🐹)(è )扬善(🏉)，无(wú )意中(🏅)招(zhāo )惹了贩卖人体(👸)器官的组织(zhī )。栗(⤴)花(huā )最(zuì(⬅) )终打败(🆕)(bài )邪恶组(⏪)织，成为儿子敬爱(à(🚎)i )的母亲(qīn )。

一篇报(🐿)(bào )道，牵出(👔)十多年(💅)前文物走(💥)(zǒu )私大案(àn )，引来团(🗽)伙头目石凯（周(🍧)雨铭 饰）(🛀)的疯狂(🍴)报(bào ) 复。十(🔻)年前警察陆建平（(🛥)郝平饰(shì(🆔) )）缘何(➰)抚(fǔ )养毫(♌)无血缘关系的幼(📰)女(👈)萱(xuān )萱，妻(qī )子(zǐ(🚣) )因何走(zǒ(📃)u )出家门(🧓)离他而去(📰)？如今，身份暴(bà(🚋)o )露(🕑)(lù )的陆建(jiàn )平不(💫)幸中枪，而(🕛)他抚养(🍂)的(de )孤女萱(🌨)(xuān )萱(xuān )（蒋欣(xīn )悦(🎾) 饰）也被石凯手(🦊)下天哥(gē(🕳) )（柴顺(🌍)(shùn )天(tiān ) 饰(📄)）绑(bǎng )架，命悬一线(🏺)！岳明（武(wǔ )小渊(🛴) 饰(shì )），是(🛬)组织安(🎨)排在其身(🚔)边暗中调查(chá )保护(👀)陆的(de )年轻(🏄)警察，身(🛅)负特殊使(🈸)命(mìng )，他们(men )能(néng )否(👸)成功(gōng )救出人质，摧(🔨)毁石凯犯(🍦)罪(zuì )集(➰)团，由(yóu )此(💕)陆建(jiàn )平的卧底(🔩)身(❓)份公安刑警杨(yá(🚼)ng )树明渐(jià(😸)n )渐(jiàn )浮(⛽)出水(shuǐ )面(🎋)，十几年前的代号“战(😡)(zhàn )斧”的(de )行(háng )动，究(㊗)(jiū )竟藏着(✡)多少不(🕧)为人知的(🙂)秘(mì )密？拷(kǎo )问(wè(👥)n )人性，坚守忠诚，大(🚋)爱无言，最(🔣)(zuì )后的(💞)较量(liàng )由(👬)此展开。

“治癒”睡眠，挑(🔎)战(zhàn )人(rén )类清醒(🙄)(xǐng )极限！

中(🤬)年建築師遇上人(💀)(rén )生瓶頸(jǐng )，在家被(🏻)(bèi )老婆嫌(💮)棄，公司(🚋)小開兔死(🌅)(sǐ )狗烹。失(shī )業的(❤)他(🛏)(tā )在曼谷街頭驀(🕊)然回首，瞥(🐐)(piē )見大(📵)象(xiàng )Pop Aye，憶起(🎵)歡(huān )快的童年時光(🗻)，毅然買下(xià )大象(💐)，卻(què )發現(🎎)都(dōu )市(😼)生活容不(🐇)下他倆，打算(suàn )和老(⛰)象(xiàng )一(yī )路向北(👮)返鄉。這趟(🚷)人與象(🖥)的公路(lù(🏰) )之旅，途(tú )中狀況不(🛩)斷，所幸萬能的象(⛽)鼻領(lǐng )著(✝)(zhe )他倆，與沿路風景(🖍)相伴。《爸媽(mā )不在家(🥠)(jiā )》導演陳(🚔)(chén )哲藝(🕢)監製，阿比(😔)查邦御用(yòng )剪接(🧢)操(😀)(cāo )刀(dāo )，看擅(shàn )長(🖲)冷幽默的(🤝)才女導(💊)演陳敬(jì(🥀)ng )音，用(yòng )象(xiàng )鼻對抗(🚌)(kàng )中年危機！將泰(👱)國鄉下的(📗)(de )荒涼風(🏗)(fēng )景(jǐng )，轉(🏗)變(biàn )成一首洋溢著(🛂)淡淡霓虹光(guāng )芒(🌾)的自(zì )我(🐮)(wǒ )蛻變(🏁)之歌。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

A group of five women go camping in the woods to celebrate a friend's birthday over 4/20 weekend. But when they cross the turf of an illegal marijuana grow operation they must struggle to survive the living nightmare.