《莫霍克人》立(🛬)意(yì )为(wéi )历(♓)(lì(🎱) )史剧，发生于1812年第(dì )二(😌)(èr )次独立战(🌅)争(🥏)接近尾(wěi )声之(zhī )时，但(🚄)随(🥔)着美国原(yuá(🆓)n )罪(zuì )在眼前展开，由此(cǐ(⏩) )产生(shēng )的神(🌕)秘(❤)色彩和恐怖(bù )效(xiào )应(😔)让(😘)这部影片真(👟)正(zhèng )成了(le )令人毛骨悚(📘)然(🥘)之作(zuò )。

In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.

2012年的(🥜)一(🏘)个夜晚，自(zì )幼在某孤(⛏)儿院长大的(🕶)敦(🏐)(dūn )也(yě )（山田凉介 饰(☕)）(😯)、翔太（村(🐠)上虹郎 饰）和(hé )幸(xìng )平(🕳)（宽一郎 饰(🐱)）(😤)对(duì )某女企业家实施(⬜)了抢(qiǎng )劫(jié(🐅) )，由(🛰)于汽车意外抛锚(máo )，他(🛏)们(🌐)仓皇逃到了(✨)一(🕋)(yī )家早(zǎo )已关张的杂(👨)货店内(nèi )躲(🥖)(duǒ(😬) )藏。这家名为浪矢(shǐ )杂(🌛)货(🛎)(huò )店的铺子(🦀)此前由风(fēng )趣(qù )和善的(🐣)老人浪矢雄(💓)(xió(🕠)ng )治（西田敏行 饰）经(📢)营(yíng )，数十年(💢)前(🔜)他出于玩(wán )笑帮小朋(⌚)友(❄)们解答各种(🌼)(zhǒng )困(kùn )扰，后来名气越来(🖌)(lái )越大，以至(⏸)于(💔)有人专(zhuān )程(chéng )向(xiàng )他(🥛)咨询人生中(🍹)的(😲)难(nán )题。本来从1980年就该(🕤)沉(🔱)(chén )寂(jì )的(de )店(🤹)铺(🐞)，却在三人闯(chuǎng )进(jìn )来(🎓)后收到了烦(🔄)恼(🎳)咨(zī )询信(xìn )。随后敦也(🏪)等(➿)人发(fā )现(xià(🏂)n )，这些信件竟然来(lái )自遥(😪)(yáo )远的过去(🕛)。神(⏮)秘的(de )夜(yè )晚，迷途青年(🍑)执笔(bǐ )为他(🥤)(tā(🛤) )人排忧解难，他们(men )的(de )命(🥐)运(📂)和这家解忧(📊)杂(zá )货店紧紧联系在了(🚓)一起(qǐ )……(🍡)

A wealthy socialite's daughter discovers she was switched at birth.

2017戛(📍)纳影展导演双(shuāng )周单(⬅)元闭幕片。美国(🚠)导(dǎo )演(yǎn )吉瑞米杰斯(🦊)伯(🐮)编导(dǎo )作品(🥡)，丹(🆓)妮尔麦唐诺(nuò )主(zhǔ )演(🎀)(yǎn )。故事描述(🙉)一(🚀)个乡(xiāng )镇(zhèn )女孩，追寻(🔔)饶(📉)舌美(měi )国(guó(🤵) )梦(mèng )的故事。

该片是以(yǐ(🍞) )现(xiàn )在的 商(⏱)界(📌)奇才“史(shǐ )玉柱(zhù )”为原(🕷)型人物的创(🌝)(chuà(📘)ng )业(yè ) 故事进行多次改(🎫)编(🏛)(biān )而成(chéng )。

A Paranormal night investigated and documented by Carl Medland on a remote farm and country house. What Carl captures is unsettling and truly terrifying.

经(⛺)过一系列莫名(míng )其(qí )妙(🎩)的事件之后(🥌)，艾(🤜)(ài )德琳·格雷（Adeline Gray）认(🐃)为一(yī )个(gè )闹(🏆)鬼的娃娃拥有复(fù )仇(🐬)女(🚳)巫的灵魂。为(🚓)了(🍊)有(yǒu )希(xī )望与失踪的(🏖)女儿团(tuán )聚(🥢)，她(🌙)知道她必须击(jī )败(bà(🐦)i )魔(✡)(mó )女娃娃的(👴)邪恶诅咒(zhòu )。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.